According to Foster-Harris, The Basic Patterns of Plot:
All plots stem from conflict and end in one of three ways.
- Type A: Happy Ending
- Type B: Unhappy Ending
- Type C: Literary Ending (“The ‘literary plot’ is one that does not hinge upon decision, but fate; in it, the critical event takes place at the beginning of the story rather than the end. What follows from that event is inevitable, often tragedy.”)
According to Jessamyn West:
- [wo]man vs. nature
- [wo]man vs. man
- [wo]man vs. the environment
- [wo]man vs. machines/technology
- [wo]man vs. the supernatural
- [wo]man vs. self
- [wo]man vs. god/religion
According to Ronald Tobias, 20 Master Plots:
- Quest
- Adventure
- Pursuit
- Rescue
- Escape
- Revenge
- The Riddle
- Rivalry
- Underdog
- Temptation
- Metamorphosis
- Transformation
- Maturation
- Love
- Forbidden Love
- Sacrifice
- Discovery
- Wretched Excess
- Ascension
- Descension
According to Georges Polti, The Thirty-Six Dramatic Situations:
- Supplication (in which the Supplicant must beg something from Power in authority)
- Deliverance
- Crime Pursued by Vengeance
- Vengeance taken for kindred upon kindred
- Pursuit
- Disaster
- Falling Prey to Cruelty of Misfortune
- Revolt
- Daring Enterprise
- Abduction
- The Enigma (temptation or a riddle)
- Obtaining
- Enmity of Kinsmen
- Rivalry of Kinsmen
- Murderous Adultery
- Madness
- Fatal Imprudence
- Involuntary Crimes of Love (example: discovery that one has married one’s mother, sister, etc.)
- Slaying of a Kinsman Unrecognized
- Self-Sacrificing for an Ideal
- Self-Sacrifice for Kindred
- All Sacrificed for Passion
- Necessity of Sacrificing Loved Ones
- Rivalry of Superior and Inferior
- Adultery
- Crimes of Love
- Discovery of the Dishonor of a Loved One
- Obstacles to Love
- An Enemy Loved
- Ambition
- Conflict with a God
- Mistaken Jealousy
- Erroneous Judgement
- Remorse
- Recovery of a Lost One
- Loss of Loved Ones
- Mistaken Identity